Taking blame for signs on museum site
Since the Aspen Art Museum director has seen fit to open an attack against Lee Mulcahy, I will take this opportunity to confess to being the person who hung the two “For Sale” signs on the tractor trailers that were parked on the vacant lot (construction site) where the Wienerstube used to stand.
The signs were two 81⁄2- by 11-inch sheets of copy paper Scotch-taped with two strips of tape on each computer-printed sheet. I thought that this would be an amusing way to call attention to this extremely disliked project that has been forced upon our cityscape.
I do not know Mr. Mulcahy, and I do not know what he did to incur the wrath of the Art Museum director, but please do not condemn him for my actions.
Having cleared the record regarding whatever minor incidents occurred, I am offended by Madam Director’s branding these actions as “cowardly.” She, who engineered the slimy, underhanded, backroom blackmailing (or worse?) of City Council, in order to hide her project from the scrutiny of the public approval process, is the true coward.
I know that brevity is always more effective than wordiness, but I cannot avoid reminding the people of Aspen that your mayor and his City Council ignored more than 1,500 signed pleas to not approve the project without review.
The Art Museum summer program for their lot was very pleasant. The paper house offered shade, the pingpong amenity was fun, and the sod lawn was a pleasant, cool, green space that will be totally missing from the finished project. I am surprised that no one thought to camp out on the site.
I am sorry about the rant, but people don’t usually refer to me as a coward.
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