Atmosphere returns to Belly Up Aspen
IF YOU GO …
What: Atmosphere: Welcome to Colorado Tour
Where: Belly Up Aspen
When: Friday, Dec. 15, 8 p.m.
How much: $40-$70
Tickets: Belly Up box office; http://www.bellyupaspen.com
Sean Daley, the rapper in the Minneapolis hip-hop duo Atmosphere, who performs as “Slug,” has always looked inward for lyrical inspiration.
The group first made its mark around the turn of the millennium, with inspired lyricism and a bare-bones aesthetic that some branded “indie rap,” anchored by Daley’s ability to tell the kinds of stories that weren’t being told by other rappers. He dropped the braggadocio we’d come to expect from hip-hop for complex narratives about dependency issues, jealousy and fear, along with some social commentary. His emotion was raw, his delivery aggressive, and his lyrics were finely crafted.
Twenty years since their debut, the band is on a Colorado tour that brings Atmosphere back to Belly Up on Friday.
Slug, now 45, is still taking a hard look in the mirror in his rhymes, only now he’s a grown-up and joined by a family. On the latest albums “Southsiders” and “Fishing Blues,” he includes rhymes that examine the home life of Slug as father and husband with the same kind of unflinching honest lyrical eye he turned to his life as a young punk.
“I still kick it with angels,” he raps over a simple piano funk beat in “Camera Thief,” for example. “The difference is that instead of the bar, I’m at my kitchen table.”
Nearly a decade ago he used similar imagery on “Angelface,” mining the emotional darkside of bedding groupies and partying on tour in a series of verses, bracketed between the chorus, “Look around you there’s angels amongst us.”
“I’ve always been accused of being a guy who raps about his f-king feelings or his life,” he told the Aspen Times during one of Atmosphere’s many runs through town. “So it’s only right that as my world and my life and feelings evolve, so does my music.”
Atmosphere’s MC, Ant (Anthony Davis), frames Daley’s rhymes with elegant, uncomplicated beats and samples. But rap is a young man’s game, and Daley said he’s grateful to be able to grow up on his records.
“A lot of my contemporaries don’t get to hold onto this job as long as me and Anthony have,” he said. “Part of that is because we did allow ourselves to grow outside of the box that we put ourselves into. … A lot of my favorite rappers still rap about the same shit they rapped about 20 years ago. I think about how that’s unfortunate for them, like, ‘You’re still rapping about selling drugs on the corner? Didn’t you get a promotion? You must be a horrible drug dealer.’”
Given the confessional nature of Daley’s rhymes, though, it makes you wonder whether there’s anything he’s released that he wishes he could take back.
“My relationship with the material evolves,” he said. “There isn’t anything where I wish we never put that out there, but there are songs that I won’t perform because I don’t feel as attached to them. I’m not the same guy.”
A song like “Primer,” for example, is a sort of ironic misogynistic anthem. Some fans have taken it literally, and Atmosphere retired it as a result.
“There was a point to it, a social comment going on, but you can’t control how people interpret this shit,” he said. “And if they don’t get your little moment of activism, you can’t blame them. You didn’t communicate it. So it’s good for me to be humble and know that until I can communicate that feeling better, then I need to put that feeling away.”
Though they take more time to perfect records, Daley and Davis’s collaborative process has stayed pretty steady since they first started recording in the late 1990s. Ant gives him a handful of beats, which he listens to on loop for a period of time (“while I fold laundry and shit”) and eventually it brings lyrics out of him.
“Once it gets inside of me it tells me what kind of story it needs, what the vibe is, the color and scene,” he said. “Then I sit down and work it out.”
And while an Atmosphere show is a fun way to spend a Friday night in Aspen, Daley encourages fans to be open to finding more than just a party at the concert.
“I try to remind people that this isn’t just an opportunity to come see a band you like or show off your new hairdo and your cool shoes,” he said. “There’s a spiritual experience in all of this, and it’s as close to church as a lot of us get.”
Support Local Journalism
Support Local Journalism
Readers around Aspen and Snowmass Village make the Aspen Times’ work possible. Your financial contribution supports our efforts to deliver quality, locally relevant journalism.
Now more than ever, your support is critical to help us keep our community informed about the evolving coronavirus pandemic and the impact it is having locally. Every contribution, however large or small, will make a difference.
Each donation will be used exclusively for the development and creation of increased news coverage.
Start a dialogue, stay on topic and be civil.
If you don't follow the rules, your comment may be deleted.
User Legend: Moderator Trusted User
Rock & Roll Hall of Famer John Oates is bringing back the concept of his 7908 Aspen Songwriters Festival for a virtual benefit concert to help feed the hungry.